




Japan Traditional wear
- HANTEN
- Artisanal
- Iconography
- Subculture
- Women
[Intro]
Iki of Japan
Heart of Wa
Four seasons, four faces.
Patterns carried down for centuries.
The wisdom of those who gave form to the formless — to weather, to nature, to the world as it is.
To wear it is iki.
To honor wa is the Japanese heart.
Learn it from the past. Hold it in the present. Carry it forward.
That is HiKESHi SPiRiT.
[HANTEN]
[HANTEN]
[First]
[ICON]
HANTEN
A hanten is the short working coat of Edo — cut straight, worn loose and open, no folded lapel, no ceremony. Its back carried the daimon: the crest that told the world which group you belonged to. What began as everyday workwear became a way of declaring who you were.
URAMASARI - Under Edo law, the merchant class was forbidden fine dress. They obeyed — on the outside. Beneath a plain cotton face they put dragons, waves, gold. This is uramasari: the reverse outdoing the front. Not concealment but restraint with something behind it. To wear it and say nothing is iki.
HANTEN JACKET
- BAKIGARAS
- Featuring the sun
- the Yatagarasu
- the iconic BAKIBAKI pattern
[Story]
Inspired by “Yatagarasu,” the guiding deity from Japanese mythology, this piece expresses the shared vision of “Yodogabe,” a project leading the way in Japan’s mural culture. Intricate yet dynamic embroidery is stitched onto luxurious satin fabric. Featuring the sun, the Yatagarasu, and the iconic BAKI pattern on the back, this design is a “contemporary haori” where the rebellious spirit of the sukajan meets traditional beauty. It updates the traditional Japanese hanten into modern streetwear, bringing a new sense of excitement to everyday life.
THE
SOUND
WITHIN
HANTEN collection
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BAKIBAKI HANTEN
¥110,000
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NAZE HANTEN
¥27,500
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ESSU HANTEN
¥132,000
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DENIM HANTEN RIKYU
¥24,200
[SASHiKO]
[SASHiKO]
[Second]
[ICON]
Artisanal
Our HANTEN is made from sashiko cloth, dyed by hand using the age-old Bushu aizome indigo method. Combining fabrics of different shades and weights keeps the jacket light — the sort of thing you'll reach for day after day. Enjoy the texture of the stitching and the depth of the indigo.
This HANTEN is built from sashiko cloth dyed in Bushu Shoaizome — the natural fermented indigo of the old Bushu province. Panels of differing weight and tone are set against one another, giving the coat a lightness that lets it be thrown on any day rather than saved for one. The hand of sashiko and the depth of real indigo, in a single piece.
SASHIKO HANTEN
- Bushū
- Indigo
- Sashiko
The collection
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BAKIBAKI HANTEN
¥110,000
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NAZE HANTEN
¥27,500
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ESSU HANTEN
¥132,000
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DENIM HANTEN RIKYU
¥24,200
[ICON]
[ICON]
[Third]
[ICON]
Iconography
Edo's firefighters wore their meaning on their backs. Their hanten were reversible: plain, hard-wearing indigo on the outside for the work itself; on the reverse, a full-bleed painted scene — dragons, waves, thunder gods, heroes out of legend — turned outward only once the fire was out and the walk home began. The imagery was never decoration alone. Water, rain and river creatures were painted onto the clothing of men who ran into fire: a wish worn against the very thing they faced.
That grammar — an auspicious image, worn large, meant seriously and carried lightly — is the basis of everything HiKESHi SPiRiT prints.
JAPANESE GRAPHICS
[Story]
The dragon is the brand's central figure, and it is a water spirit before it is a beast. Kōryū Un'u — the dragon that rises and brings the rain — is the oldest form of fire insurance there is. Rigyo chō Ryūmon, the carp that leaps the dragon gate and is transformed, carries the same current: persistence rewarded, the ordinary made extraordinary. Seiryū, the Azure Dragon of the four celestial guardians, holds the east, the spring, and the element of wood. Read together, these are not four motifs but one continuous argument about water, courage and change.
JAPANESE GRAPHIC collection
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安穏無事 抜染スラブTEE
¥6,600
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七転八起 抜染スラブTEE
¥6,600
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火消雪輪紋TEE
¥6,600
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九尾抜染スラブTEE
¥6,600
[CULTURE]
[CULTURE]
[Fourth]
[ICON]
Subculture
Collaborations with anime, manga and contemporary artists sit on top of this foundation without disturbing it. Godzilla is a fire that walks. Fire Force is the hikeshi in the next century. Each guest motif is admitted on the same terms as the dragon and the carp: it has to mean something to the wearer, and it has to look right from behind.
GUNDAM COLLECTION
The range holds together because the test is consistent. A guest motif has to survive being enlarged to the scale of a back panel; it has to sit inside the kimono composition rather than float in a rectangle on the chest; and it has to mean something to the person wearing it, in the way the dragon meant something. Recognition alone is not sufficient. If it cannot carry weight from behind, it does not go on the garment.
CULTURE collection
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STRICT-G 火消魂『機動戦士ガンダム』Tシャツ MS-06S
¥7,150
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STRICT-G 火消魂『機動戦士ガンダム』Tシャツ RX-78-2
¥7,150
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STRICT-G 火消魂『機動戦士ガンダム』DENIM HANTEN RX-78-2
¥27,500
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STRICT-G 火消魂『機動戦士ガンダム』HANTEN MS-06S
¥22,000
[Women's Wear]
[Women's Wear]
[Fifth]
[ICON]
Women
Most brands arrive at womenswear by subtraction: take the men's block, narrow the shoulder, shorten the body, add a dart. It works, more or less, and it always reads as an afterthought. Nothing here needs that treatment, because the garments predate the problem. A hanten is cut straight. So is a samue, so is a haori, so is a kimono. No shoulder seam doing anatomical work, no waist suppression, no bust. Japanese clothing organised itself around the flat rectangle of cloth and the way a body moves inside it — sized by length and by wrap, not by shape. Gender was expressed afterwards, in pattern, in colour, in how the thing was worn. Never in the pattern-cutting. So there is no women's version. There is the garment, and there is you in it.
Kimo No TEE
[Story]
CHiNPAN paints in sumi ink. She was born in Kanagawa, started ink painting in her third year of primary school, and from 1996 worked in the Rinpa lineage; her career proper began in 2008, when she was selected for a group exhibition at the National Art Center, Tokyo. She works to a theme of destruction and rebirth, and has spent years pushing ink beyond paper — onto walls, into shop interiors, across fashion and music. Her first solo show put ink onto the human body itself.
Kimono TEE collection
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KIMO NO TEE SUKAJAN MAP
¥16,500
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KIMO NO TEE 五穀豊穣
¥16,500
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BUTTERFLY LD KIMO NO T
¥22,000
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GOLDFISH LD KIMO NO T
¥22,000
Contact information
- 住所:東京都台東区浅草1-2-12
- アクセス:銀座線「浅草駅」1番出口
- <営業時間>OPEN 11:00 - CLOSE 19:00
- TEL:03-5830-8020