Access Denied
IMPORTANT! If you’re a store owner, please make sure you have Customer accounts enabled in your Store Admin, as you have customer based locks set up with EasyLockdown app. Enable Customer Accounts
尤基·伊努埃简介
尤基·伊努埃
Yuki Inoue
Yuki Inoue
以蜥蜴为主要主题,创作造型和雕塑作品的当代艺术家井上裕起。 以"进化"为主题,将新材料与日本传统和传统相结合的独特风格受到国内外的高度评价。
1972年
出生于兵库县,居住在神奈川县
2000年
塔马艺术大学艺术研究生院雕塑系毕业
2005年"第四届布尤克切克梅耶国际雕塑研讨会"(土耳其伊斯坦布尔)
2017
荣获第20届冈本太郎当代艺术奖"特别奖"。
1972年
出生于兵库县,居住在神奈川县
2000年
塔马艺术大学艺术研究生院雕塑系毕业
2005年"第四届布尤克切克梅耶国际雕塑研讨会"(土耳其伊斯坦布尔)
2017
荣获第20届冈本太郎当代艺术奖"特别奖"。
我作品的核心主题是进化。
当一个固定的时间来到它的一生中时,作为主题处理的生物会,但当我越过边界时,我感受到了希望和决心,通过它们想象人类的成长和进化,这是我创作活动的源泉。
从一开始,我就使用石头,但近年来,我转向化学材料,寻找更自由的造型。
这种物质的变化不仅仅是材料的变化,而是我自己的"进化"过程,也是通过叠加日本传统和传统来发展到新的水平。
当一个固定的时间来到它的一生中时,作为主题处理的生物会,但当我越过边界时,我感受到了希望和决心,通过它们想象人类的成长和进化,这是我创作活动的源泉。
从一开始,我就使用石头,但近年来,我转向化学材料,寻找更自由的造型。
这种物质的变化不仅仅是材料的变化,而是我自己的"进化"过程,也是通过叠加日本传统和传统来发展到新的水平。
"Evolution" is the fundamental theme in my art.
The motifs for my work are living creatures that undergo metamorphosis at a certain time in their lives。
I feel a sense of hope and determination at that very instance when these creatures take a leap and cross the borderline of transformation。
Through this, I muse on how humanity grows and evolves. 这是 has been my creative drive.
I previously carved stone in my earlier works, but have moved on to synthetic materials in recent years in my search of a more malleable form.
这是一个不改变的materials; rather, it was a part of my own "evolution."
I also consider this a challenge to push my artistic boundaries, as I fuse modern-day materials with traditions and practices that have been handed down for generations in Japan.
The motifs for my work are living creatures that undergo metamorphosis at a certain time in their lives。
I feel a sense of hope and determination at that very instance when these creatures take a leap and cross the borderline of transformation。
Through this, I muse on how humanity grows and evolves. 这是 has been my creative drive.
I previously carved stone in my earlier works, but have moved on to synthetic materials in recent years in my search of a more malleable form.
这是一个不改变的materials; rather, it was a part of my own "evolution."
I also consider this a challenge to push my artistic boundaries, as I fuse modern-day materials with traditions and practices that have been handed down for generations in Japan.
Invalid password
Enter